August 27, 2024

Kenjutsu Japanese Sword Arts Etiquette

One of the first things that one learns with the sword arts is etiquette: how to hold the sword when not in use, how to pass the sword to another person, where to place it, and how to bow with it in hand.

Do you know when to hold the sword in the right hand vs. the left hand?

Do you know how to pass it from hand to hand?

Do you know why this is important?

In the here and now of today, the modern era where those of us enthusiastic about the sword arts practice, why would these practice even be relevant and important?

Two reasons for consideration.

In our dojo we tend to be very informal. That is not to say we don’t take the art and what it transmits seriously, we take it very seriously, we just don’t take ourselves seriously- kuki taisho, the ability to laugh at oneself and the trials.

Yet, our dojo makes it a point to know and perfect sword etiquette for each student, being aware of it and able to do it if it is needed.

This way if one finds themselves in the company of other sword enthusiasts or another sword master at  a seminar or workshop they will be able to fit right in and not cause any disruption. They will be able to show respect to the art and the master when they find themselves in that situation.

A second reason is very grounded in the sword training itself, the focus on the mind and the sword, that connection and focus in training. The movement and focus of sword etiquette begin to make one aware of the sword, it is an entry point for that connection.

It’s for that reason that etiquette with the sword is still very important in modern sword training.

The aim of the Bujinkan Shinmyoken dojo (war god hall school of the life giving sword) is to understand nature and the movement of being zero through taijutsu- martial ways of using the body. The school exists to create and transmit this feeling and method through the experience of isshi soden- one to one transmission.

Located in Westchester New York, the Bujinkan Shinmyoken dojo is a martial arts training group founded in 2005 with the aim of coming together as martial arts friends to study the Japanese martial arts of Masaaki Hatsumi through the movement lessons of the Bujinkan dojo and the expression of budo taijutsu.

Classes are held on Saturday Mornings from 9-11 AM at a local park in Yonkers New York easily accessible by car, train, and bus. Additional training times are held for workshops and seminars each quarter.

Training is supervised by Fred Feddeck (shidoshi) who has been studying Bujinkan budo taijutsu since 1993.

The transformative effects of the Bujinkan come from the purity of its warrior movement, the movement-philosophy found in taijutsu (body art). This art offers the tools of movement to assimilate the skills needed to meet the challenges of life and prevail against those changes, a movement guide to take control of one’s destiny.

Questions, feedback, and inquiries may be directed to the group here: bujinkanshinmyoken@gmail.com.

The Bujinkan Shinmyoken Dojo practices the Japanese martial art of budo taijutsu as passed to us through Masaaki Hatsumi sensei. It is through the movement-philosophy of taijutsu, as passed down through eight hundred years of warrior movement that we explore these lessons for the here and now of today.

But what is taijutsu?

The easiest and most natural explanation would be to come and participate in a class so one can experience the transmission directly (isshi soden).

With that framework what can be understood intellectually is expressed through s system of movement, used as a vehicle to understand self through martial movement.

Training begins with junan taiso, martial arts stretching, and the re-alignment of the body to a natural state. Methods of undoing the defects of time that one has “learned” and accumulated incorrectly along the way through life. Increasing body capacity and taking stock of where one is currently in order to build and improve on the body’s natural movement capabilities.

The next level of movement development transmits how to generate and use correct body alignment and mechanics in a martial way- it teaches one how to move the body correctly using our unique movement of taijutsu. Methods to illustrate this include ukemi taihenjutsu, kyu kamae, kihon happo, and san shin no kata, illustrating the path of heaven (sky).

Once one has a firm grasp of how to use the movement-philosophy of taijutsu correctly the study of the path of earth begin, how to prevent correct movement through the use of distance, timing, rhythm, and balance. Methods use to show this anti-movement include the gyaku gi, nage waza, hajutsu, and shime-waza.

Those two path lead to the path of man (human), the blending and interplay of the dragon (ten) and the tiger (chi), the interaction between people in a martial arts situation. This jin ryaku no maki section of training offers us glimpses with what is possible, making the impossible possible, as expressed through koku, renyo, seion, gekkan, musan, etc.

The integration of these three aspects of training (tenchijin ryaku no maki) leads to the complete human begin (tatsujin) and the ability to navigate situations in a natural manner.

Yet again, these are just words trying to capture the movement-philosophy of taijutsu, the best way to feel and experience this expression is to take up the training and commit to the warrior path.    






 email contact: bujinkanshinmyoken@gmail.com